The Liberation of Life: From the Cell to the Community

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Yeom Gi Jung (Lee El), the oldest of the siblings, is huffy & short-tempered who always complains about everything, making silly judgements; yet wishes to find love and fulfill her life. Yeom Chang Hee (Kim Min Ki), the middle sibling, is awfully outspoken who despite of his crave for better life doesn't really have a goal and spends his leisure meaninglessly. Yeom Mi Jung (Kim Ji Won), the youngest, is faint-hearted and introverted who feels unfulfilled in her boring life, coveting to escape from all her worries. Mr. Gu (Son Suk Ku) is the closest next-door ahjussi who has recently moved to the neighbourhood and a drunkard who talks less and prefers to remain by himself. All upcoming public events are going ahead as planned and you can find more information on our events blog Booth, J.A., Wade, C.J. & Walker, T.W. (2006). Understanding Central America (4th edn). Boulder, CO: Westview Press.

City and country clash, almost every day. Accordingly, different life plans collide, which either fit more into a fast-paced, hip city life or rather into a rural, decelerated provincial life. In reality, however, new hybrid variants are needed that function as a flexible joint between both realities that are equally relevant to everyday life - city and country. Part of our innate shame is likely to manifest itself in an inner austerity. It might always feel better to sidestep pleasure but we might, in the name of mental health, throw the habit of a lifetime away and sometimes, without guilt, simply daydream for a few hours, buy ourselves an expensive piece of clothing (preferably in a bold colour) or step into a bakery and ask for a large slice of blueberry cake or a Portuguese custard tart (or two). The Library's buildings remain fully open but some services are limited, including access to collection items. We're Final Remarks... Ahhhh! That's how you express yourself with drama that could imply to a plentitude range of emotions and thoughts, throughout. Coming to the last part of my review, I am not sure whether or not I was worthy of writing this piece, for it is so beautifully contented which not only took the characters in the journey of liberation, but also helped the viewrs learn how to liberate themselves. With great production values, fascinating script, fabulous execution and beautiful outcomes, this is one of the best slice-of-life Kdramas ever produced even so it didn't have a noteworthy viewership record as it aired. I wish it could reach a lot more people but I also believe, good things always find their ways to those who deserve. With this, I must not forget to express my gratitude to the cast and crew and everyone plus everything that's involved in bringing out "My Liberation Notes" to me. Thank you, so very much!

These are just highlights from the Women's Library collection on the topic of women's liberation movement. You can search the Archives Catalogue to find more material using terms like "women's liberation movement", "sexism", "equal opportunity", "sex discrimination", "health". To narrow down your search, type '1970s' into the date field. You can search Library Search for journal titles, such as Red Rag, Shrew, WIRES, Outwrite, the London Women's Liberation Newsletter. How to access Martín-Baró, I. (1996). Writings for a liberation psychology (A. Aron & S. Corne, Eds.). Cambridge, MA: Harvard University Press.

The materials range from personal papers of activists, the campaigning papers of organisations and the magazines and newsletters of women’s liberation groups. There are also badges, postcards and posters on the theme of women’s liberation and equal opportunities. Much of the material is dispersed throughout the collection dating mainly from the 1970s to 1980s. Early Women’s Liberation Movement

Introduction

One of the many silliest means of liberating yourself, that has been portrayed through the acts of the characters, throughout the drama is "moving your feet"; be it a tiresome walk or a simple strolling or a breathless running. As you walk/run and think at the same time, the worries and burdens might evaporate away little by little, if not entirely, and that actually helps. As you watch the drama, you will realize that there are actually plenty of scenes where the characters are only moving forward with monologue notes accompanying them, and those were actually gratifying and alleviating, or in the words of the writer, "liberating". Portillo, N. (2012). The life of Ignacio Martín-Baró. Peace and Conflict: Journal of Peace Psychology, 18(1), 77–87.

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Sewing Machinists Strike at Fords

The cinematography is beyond pleasing, I can't be lying. The art of storytelling through stills and visuals of this kind is definitely not new in Kdramas, however, MLN chalks up to recreating a narrative of idiosyncratic judgements. The makers attempt to enable the audience to live the essence and the way the presentation is drafted through vehemence is praiseworthy. Witnessing characters through refractive lenses (of the audience) by fetching and fluctuating camera angles, often from one's face, to a nearby glass frame were both palliating and allaying. The obliquely focusing camera, often alters into unorthodox minds of ingenious thoughts. Jointly produced by 'Studio Phoenix', 'Chorokbaem Media' and SLL, "My Liberation Notes (나의 해방일지) [2022]" is a 8 billion won budgeted slice-of-life Kdrama. Reuniting writer Park Hae Young and director Kim Seok Yoon after 11 years, the show was broadcasted on JTBC and internationally distributed by Netflix. The episodes pass as does life itself. The days are the same, and yet each one is new and different from the one before. Happiness is accumulated by the minute. And in the end, life is beautiful after all. Worth living. Distinctive. The quality increases with the degree of truthfulness that they give to their lives. And that's indeed a progressive message (as far as a society like the South Korean with its highly valued tradition of scham and pretence is concerned.) So the KDrama simply tells about the normal life of relatively normal people around 30. They don't live in the megacity of Seoul (while almost 10 million people do) or in Incheon (with almost 3 million inhabitants), but in the sprawling province of Gyeonggi-do, which makes up the majority of the metropolitan area around Seoul in terms of space. The provincial population makes up ca half of the population of the more than 25 million inhabitants of the entire agglomeration around the capital Seoul. (And this in fact is about half of the inhabitants of South Korea altogether). An insight into the living environment of those provincial residents thus also offers an insight into a good deal of current South Korean life issues. Campaigns took various forms both nationally and internationally, from public demonstrations, to setting up support centres, to offering free legal advice to women.

Lykes, M.B. & Liem, R. (1990). Human rights and mental health in the United States: Lessons from Latin America. Journal of Social Issues, 46, 151–165. One of the many moving elements in the drama was Mi Jung's desire to be able to reminisce about past where she herself is be-seated by her younger self's side, enjoying the views she really loved and Mr. Gu suggests her to remember the very moment and remind it when she turns old, because by then, the present time would be her younger version. Similarly, I would like to mention few of short yet relatable and favourite dialogues which aren't actually spoilers...Chun Ho Jin (Yeom Jae Ho) is the siblings' father while Lee Kyung Sung plays their mother Kwak Hye Suk. Ji Hyeon Ah (Jun Hye Jin), Oh Du Hwan (Hang Sang Jo) and Suk Jung Hoon (Jo Min Kook) are closest neighbourhood as well as childhood besties of the siblings. Cho Tae Hun (Lee Ki Woo) and Park Soo You (Park Sang Min) are Mi Jung's colleagues. Other familiar faces in the supporting roles are: Choi Hee Jin, Yang So Min, Kim Ro Sa, Jung Soo Young, Kang Joo Ha, Choi Min Chul and Kim Min Song. From within the unrest and state-sponsored terror in El Salvador during the 1980s Ignacio Martín-Baró envisioned a psychology capable of aligning itself with the needs of the victims of political and social upheaval throughout Central and South America. His commitments were rooted in his pastoral training within the Society of Jesus (Marín, 1991). As a Jesuit and University of Chicago–trained psychologist, he argued that psychology had not yet realised its potential to promote justice and peace within Salvadoran society.